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Nombre de programmes trouvés : 15

le (37m41s)

Verdi et la littérature allemande. La figure du proscrit dans "Die Räuber" et "I Masnadieri" / Jean-François Candoni

Verdi et la littérature allemande. La figure du proscrit dans Die Räuber et I Masnadieri / Jean-François Candoni, in "La figure du proscrit dans les arts en Europe dans la première moitié du XIXe siècle" [Autour de l'opéra Ernani], journée d'étude organisée par l'Institut de Recherche Pluridisciplinaire en Arts, Lettres et Langues (IRPALL) de l'Université Toulouse Jean Jaurès dans le cadre d'un partenariat avec le Théâtre du Capitole, sous la responsabilité scientifique et la coordination de Michel Lehmann et Christine Calvet. Université Toulouse Jean Jaurès, Théâtre du Capitole, 28 février 2017. * Images et prise de son ...
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le (1h1m27s)

Roundtable discussion about De-colonizing the Digital Audio Workstation

Dr. Eliot Bates (Graduate Centre, City University of New York), and  Éliézer Oubda (Hope Muziks Studio, Burkina Faso) share their experiences working and teaching within and around the confines of the Eurocentric Digital Audio Workstation (DAW) that has become a music production standard in today’s digital era. Leonard Menon (University of Lethbridge, Alberta) ask them questions about their background as audio engineers and their opinion regarding the techniques, limitations, and prospects of the increasingly accessible DAW, which they discuss from a personal and professional perspective as the democratization of digital audio technologies has reached a point of ubiquitous attainability.
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le (1h56m5s)

Percussion workshop with Ken Lagaré

Issa Traoré alias Ken Lagaré taught Malian rhythms on the jembe and dundun to students and faculty of the Department of Music at the University of Lethbridge. Rhythms included the Bamana version of Sokonikoun, originally from the Wassoulou people; 'Fula ton-si ton-si' referring to a specific community of Fula (Peul) people who exhibits a particular hairstyle; and Diansa, the Bamana version of Markafoli from the Marka people. Towards the end of workshop, Ken demonstrated a performance on the tamani. This percussion workshop was organized by Leo Brooks, an Individualized Multidisciplinary Master of Arts student at the Global Drums Studio of percussion instructor Adam Mason ...
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le (37m33s)

One Love Burkina by Éliézer Oubda

Éliézer Oubda presents the video making off of Bob Markey's One Love cover that he produced in his Hope Muziks Studio in Ouagadougou with local musicians, and singers and rappers from different ethnicities of Burkina Faso. Featuring the main languages of the country, this production aims at unifying West Africa and communicating a message of peace in response to the security crisis that is on-going in this part of the world. Oubda explains that he is in the process of making an international version of the ...
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le (29m40s)

Critical Listening Tools and Tactics for Sound Specialists by James Clemens-Seely

James Clemens-Seely presents a practical introduction to the merits and pitfalls of technical ear training as an approach to increasing critical listening and analytic skills in developing audio professionals.  Ear training topics discussed include training tools, self-study vs. large class sizes, sensible goals and overall usefulness in career development. James Clemens-Seely supervises the learning experience of participatants of the Audio Recording Engineer Practicum at the Banff Centre, AB, and has taught Technical Ear Training at McGill University, QC.
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