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Recollections from the early days of digital synthesis with Max Mathews and John Chowning

I had the privilege to contribute to early explorations of musical sound synthesis by computer with Max Mathews at Bell Laboratoires, starting 1964. That same year, John Chowning also began to work on musical sound synthesis in Stanford University. In my presentation, I shall relate my own recollection of the early days of digital synthesis. I shall present my training, my work with Mathews at Bell Laboratories, starting with the simulation of trumpet tones and going on to the completion of Music V, my encounter with Chowning and his ...
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