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Nombre de programmes trouvés : 2164
Séminaires

le (2h2m46s)

Quatrième panel : Les usages instrumentaux des dispositifs participatifs Colloque Les élu·e·s aiment-ils la démocratie ? Le personnel politique face à la participation citoyenne

... Paris 1 Panthéon-Sorbonne, CESSP « Partenaires des élus ou contre-pouvoir ? Le cas des conseils citoyens », Yannick Gauthier, doctorant en science politique, Université de Lille, CERAPS « Et l’éthique dans tout ça ? Entre représentation forcée et...
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Conférences

le (21m0s)

Marek Paryz (University of Warsaw), “Unwanted Salvation: The Use of the Savior Formula in Andreas Prochaska’s The Dark Valley (2014)”

The Austrian film The Dark Valley (dir. Andreas Prochaska, 2014) provides a unique attestation to the applicability of the convention of the Western for problematizing context-specific social and cultural issues. The film features an American man named Greider who arrives at a godforsaken Austrian village located in the mountains. As it turns out later, he comes there to avenge the father who had been killed before his birth. The village community is terrorized by the Brenner family, the descendants of the village’s founders. The Brenner patriarch and his sons follow very special rules ...
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Conférences

le (25m40s)

Fareed Ben-Youssef (NYU Shanghai), “'Just Make Me Look Good’: The Duel Against Mythic Representation in the Transnational Western Films of Chloé Zhao”

Chinese filmmaker Chloé Zhao has established herself as a foremost chronicler of the experience of Native American youth. Her Westerns—"Songs My Brother Taught Me" (2015) and "The Rider" (2017)—center upon teenagers on the Pine Ridge Indian Reservation in South Dakota. In “Songs,” Zhao speaks to the burden of mythic portrayals upon these often-invisible populations. A white outsider—a proxy for the filmmaker—asks if she can take a photo of the film's hero on horseback. He replies, "Just make me look good." Commenting on this scene, Zhao stresses that the people of Pine ...
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Conférences

le (18m56s)

Delphine Robic-Diaz (Université Paul-Valéry Montpellier 3), “Claude Bernard-Aubert's Les Tripes au soleil (1959) : Exoticism and Decadence at the Twilight of Colonialism”

Claude Bernard-Aubert est un ancien combattant d'Indochine (comme Pierre Schoendoerffer qu'il a d'ailleurs côtoyé à cette époque), auteur de Patrouille de choc, 1er film sur la guerre d'Indochine en 1957 (film censuré, car en pleine guerre d'Algérie il était impossible de montrer la réalité du sort des troupes françaises dans un conflit de décolonisation, j'ai moi-même supervisé sa restauration en version Director's cut en 2012) ; son 2e film Les Tripes au soleil (1959) est une fable anticolonialiste que Claude Bernard-Aubert a pensé comme un western africain : dans une ville imaginaire, ...
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Conférences

le (24m55s)

Hadrien Fontanaud (Université Paul-Valéry Montpellier 3), • “Lawrence of Arabia (Lean, 1962): Reframing Imperialism and the Poetics of the Desert”

Filmed in 1962, Lawrence of Arabia offers a critical look on British imperialism. Yet this British and American co-production draws on the Empire films of the 1930’s: it focuses on one of the battlefronts of the British Empire in Egypt as well as in the Middle East, and shows parallel with American westerns by emphasizing the confrontation between Whites Europeans and Natives. Many others elements reminds us of the western such as trains attacks, epic rides and more importantly the lonely hero and the wide-open spaces. This presentation aims to show how the ...
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