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The Sublime: a Conceptual Analysis

This paper sets out both a methodology for conceptual analysis and an account of the sublime in the British eighteenth century. It seeks to establish an account of the sublime in both historical and conceptual terms. The historical optic seeks to test whether it makes sense to consider concepts as historical forms, and takes the sublime as a test case. The second armature of the paper seeks to map the contours or shape of the concept through an analysis of its grammar and architecture. A preliminary discussion of what is meant by those terms is followed ...
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