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Fitting networks : documentary proofs and aesthetic ambiguities - the case of 9/11

In New York, September 11 (Editions Magnum, 2001), Thomas Hoepker claims : “I strongly believe in documentary photography, in taking pictures of real life. When I looked at the pictures from our photographers, there were some that were wonderful or clever compositions, but they emphasized the artistry in photography rather than telling the story. We didn’t put those pictures in this book. I don’t think they belong in this book because they do not serve its purpose, which is to bear witness. In a moment like this you must be very humble. When something like this happens, nothing you do ...
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