Domestic cooking in Marrakech's Medina / GRAF, Katharina
Séance : Polarisation des normes " Vous avez dit halal ? " Normativités islamiques, mondialisation et sécularisation Colloque international, 7-8 novembre 2013, IISMM-EHESS, Salle Claude Lévi
Mon compte
Pas encore inscrit ?
Séance : Polarisation des normes " Vous avez dit halal ? " Normativités islamiques, mondialisation et sécularisation Colloque international, 7-8 novembre 2013, IISMM-EHESS, Salle Claude Lévi
Séance : Production des normes " Vous avez dit halal ? " Normativités islamiques, mondialisation et sécularisation Colloque international, 7-8 novembre 2013, IISMM-EHESS, Salle Claude Lévi-Strauss
Séance : Diachronie des normes " Vous avez dit halal ? " Normativités islamiques, mondialisation et sécularisation Colloque international, 7-8 novembre 2013, IISMM-EHESS, Salle Claude Lévi-Strauss
Séance : L'élargissement du halal " Vous avez dit halal ? " Normativités islamiques, mondialisation et sécularisation Colloque international, 7-8 novembre 2013, IISMM-EHESS, Salle Claude Lévi
Séance : L’élargissement du halal " Vous avez dit halal ? " Normativités islamiques, mondialisation et sécularisation Colloque international, 7-8 novembre 2013, IISMM-EHESS, Salle Claude Lévi
À partir d’une perspective féministe révolutionnaire noire, bell hooks a défendu la pédagogie comme pratique de la liberté et de la transgression, en prenant en compte ensemble les oppressions de sexe
This paper will attempt to locate the political-intellectual project of cultural studies — as conjunctural analysis in which culture matters — with its commitments to context, complexity and
This article will analyse how McEwan’s exploration of trauma rests on its resolution and on the coping mechanisms employed by these two characters. It will also discuss how 'authorship' transcends
In Atonement (2001), McEwan works on the interplay of memory and imagination, historiography and fiction. The novel is haunted by a traumatic past, at both individual and collective levels, and
In this paper, we offer to examine the ghosts that pervade McEwan's Atonement, both as motifs of an age-old literary tradition that have survived throughout centuries and as symptoms of a modern
This paper proposes an analysis of Joe Wright’s 2007 film adaptation of Ian McEwan’s novel Atonement. In particular it will look at how one of the novel’s major theme of storytelling and what Alistair
This paper employs Mikhail Bakhtin’s notion of polyphonic novelistic discourse and Werner Wolf’s intermedial conceptualization of metareference in an analysis of the translation of metafictional and