Les loups et les ours : une histoire d'amour difficile
par Montserrat López Mújica
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par Montserrat López Mújica
L’homme et l’animal : métamorphose d’une relation / Vinciane Despret, Anne Simon, Gérard Caussimont, in 7ème séance du séminaire "Le passé au présent : les passeurs du patrimoine. 2. Transformation,
Retouched bone tools: which place in Neanderthal technical systems? / Emma Bernard, in colloque "1st Virtual Conference for Women Archaeologists and Paleontologists. Nouveaux apports à l’étude des
New insights into the study of past populations: archeozoology and cementochronology in the Middle Palaeolithic / Audrey Roussel, in colloque "1st Virtual Conference for Women Archaeologists and
What is shaping the brain? A perspective on brain size evolution in carnivorans / Margot Michaud, in colloque "1st Virtual Conference for Women Archaeologists and Paleontologists. Nouveaux
Alaska Native Animal Love, in Nancy Lord's Beluga Days / Benjamin Ferguson
Neanderthal facing climatic disruptions of the MIS 4 in southwestern France: between cynegetic choices and environmental constraints / Christelle Dancette, in colloque "1st Virtual Conference for
New sperm whale cranium from the late Miocene and a revised family attribution for the small crown physeteroid Thalassocetus / Apolline Alfsen, in colloque "1st Virtual Conference for Women
Comminution capabilities of extant and fossil anthropoids during molar intercuspation: a preliminary experiment using a chewing simulator / Axelle E. C. Walker, in colloque "1st Virtual Conference for
Toward werewolf diplomacy: Cross-species kinship and ecopoetics in "Animal Dreams" and "Prodigal Summer" by Barbara Kingsolver / Bénédicte Meillon
Ouranopithecus macedoniensis (late Miocene, Greece): analysis of mandibular fragments using 3D geometric morphometrics / Melania Ioannidou, in colloque "1st Virtual Conference for Women
La Moselle ensauvagée - De l’eau et des forêts dans la vallée de la Moselle ou le retour d’une dynamique naturelle est une ressource pédagogique en écologie proposée par Annik Schnitzler