Impérialisme

Vidéos

Hadrien Fontanaud (Université Paul-Valéry Montpellier 3), •	“Lawrence of Arabia (Lean, 1962): Reframing Imperialism and the Poetics of the Desert”
Conférence
00:24:54

Hadrien Fontanaud (Université Paul-Valéry Montpellier 3), • “Lawrence of Arabia (Lean, 1962): Refra…

Filmed in 1962, Lawrence of Arabia offers a critical look on British imperialism. Yet this British and American co-production draws on the Empire films of the 1930’s: it focuses on one of the

Jesus Angel Gonzalez Lopez (Universidad de Cantabria, Santander), "Transnational Post-Westerns in French Cinema: Adieu Gary and Les Cowboys"
Conférence
00:24:58

Jesus Angel Gonzalez Lopez (Universidad de Cantabria, Santander), "Transnational Post-Westerns in F…

The concept of transnational post-Westerns stems from Neil Campbell’s definition of post-Westerns as films “coming after and going beyond the traditional Western [genre] while engaging with and

Samira Nadkarni (Independent Scholar), "Chhattisgarh as India’s Frontier: Reading Masurkar’s Newton (2017) as Postcolonial Western"
Conférence
00:28:46

Samira Nadkarni (Independent Scholar), "Chhattisgarh as India’s Frontier: Reading Masurkar’s Newton…

Amit V. Masurkar’s 2017 film, Newton is simultaneously a satire and reconfirmation of the myths of democratic nationhood, exploring a postcolonial narrative of internal colonisation in the creation

Seung-Hwan Shin (University of Pittsburgh), "North by West: The Manchurian Western and Minoritarian Cinema"
Conférence
00:27:41

Seung-Hwan Shin (University of Pittsburgh), "North by West: The Manchurian Western and Minoritarian…

Reflecting on the Western’s development after WWII, André Bazin noted, “Its roots continue to spread under the Hollywood humus and…robust suckers spring up in the midst of the seductive but sterile

XXXIIIe Conférences Marc Bloch, Frederick Cooper : "Empire, nation et citoyenneté : la France et l’Afrique"
Conférence
01:02:01

XXXIIIe Conférences Marc Bloch, Frederick Cooper : "Empire, nation et citoyenneté : la France et l’…

Cooper
Frederick

Chaque année depuis 1979, l’EHESS invite au mois de juin une personnalité étrangère ou française à prononcer une conférence qui rassemble, dans le grand amphithéâtre de la Sorbonne, les personnels

Souveraineté et territoire (XIXe-XXe siècle)
Conférence
01:53:06

Souveraineté et territoire (XIXe-XXe siècle)

Anheim
Étienne
Barreyre
Nicolas
Caru
Vanessa
Verdo
Geneviève
Verdier
Nicolas

Depuis deux décennies, l’expérience politique et sociale de ce qu’on appelle la « mondialisation » et une évolution historiographique sensible à la diversité des formes impériales de gouvernement

Patrick Adamson (University of St Andrews), "Transnationalism and the Transcontinental Railroad: Exporting the Silent Epic Western”
Conférence
00:20:55

Patrick Adamson (University of St Andrews), "Transnationalism and the Transcontinental Railroad: Ex…

The Covered Wagon (1923) has long been regarded as a landmark in the development of both the western genre and the historical film. Paramount’s epic, along with the cycle of large-form westerns

Costanza Salvi (Bologna University), “John Ford’s Cavalry Trilogy: American Imperialism or Irish Republicanism?”
Conférence
00:24:18

Costanza Salvi (Bologna University), “John Ford’s Cavalry Trilogy: American Imperialism or Irish Re…

Loosely based on James Warner Bellah’s stories published on Saturday Evening Post, Fort Apache (1948), She Wore a Yellow Ribbon (1949), and Rio Grande (1950) are pervaded with a jingoism totally

Céline Murillo (Université Sorbonne Paris Cité), “The Mimic Indians in Westerns : a Transnational Concept”
Conférence
00:25:07

Céline Murillo (Université Sorbonne Paris Cité), “The Mimic Indians in Westerns : a Transnational C…

When Nobody, the native American character in Dead Man (Jim Jarmusch, 1995), recounts his travels as “an exhibit” in Europe, he explains that, to avoid attracting the attention he started to imitate

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Podcasts

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