Notice
Recorded sound and the development of ideological control: Changes in Japanese cinema since 1931
- document 1 document 2 document 3
- niveau 1 niveau 2 niveau 3
Descriptif
Elena Claver Hernàndez, "Recorded sound and the development of ideological control: Changes in Japanese cinema since 1931".
Panel 11 – Sound and representation of social space
The screening of the first proper Japanese “talkie” film, The Neighbor’s Wife and Mine, in August of 1931 took place barely a month before the Invasion of Manchuria. From that point onwards, while silent movies were slowly being abandoned, Japanese cinema suffered increasing vigilance and censorship from the military and bureaucrats which reached its peak during the WW2. Without claiming this process to be the ultimate consequence of the introduction of recorded sound in films, this paper aims to explore how the development of the “talkies”—just as other sound-based mass-media communication devices like the radio—facilitated the task of controlling Japanese cinema and gearing it towards a propagandistic function. The disappearance of the benshi, which could reframe the visual plot through their live performance, put an end to one of the strategies to oppose governmental control. The decline of the jidai-geki, whose focus was on its visual potential, marks the transition towards “realism”: newsreels and documentaries of the battlefront, narrated by personalities of the Army and surrounded by “true” explosion sounds and climatic music.
Colloque "Le Japon sonore : modernité, constructions sociales, rapports de force / Japan and sound: modernity, social constructs and power relations" 14-16 novembre 2024, organisé par Jeremy Corral (UMRU 24140 D2IA, Université Bordeaux Montaigne) et par Chiharu Chûjô (EA 4186-IETT, Université Jean Moulin Lyon 3).
More informations: https://mshbordeaux.hypotheses.org/10930
Thème
Dans la même collection
-
Clôture du colloque / Closing comments
CorralJeremyChujoChiharuColloque "Le Japon sonore : modernité, constructions sociales, rapports de force / Japan and sound: modernity, social constructs and power relations"
-
The ear is a weapon: Soundscapes of racial violence in Tokyo, 1923
Colloque "Le Japon sonore : modernité, constructions sociales, rapports de force / Japan and sound: modernity, social constructs and power relations"
-
Tomorrow on cassette: Japan’s tape jams in the new media age
Colloque "Le Japon sonore : modernité, constructions sociales, rapports de force / Japan and sound: modernity, social constructs and power relations"
-
Re-sounding Shōwa: Ōtaki Eiichi’s A Long Vacation and nostalgia for 1980s Japan
Colloque "Le Japon sonore : modernité, constructions sociales, rapports de force / Japan and sound: modernity, social constructs and power relations"
-
Masculinities and femininities of Japanese singer-songwriters
Colloque "Le Japon sonore : modernité, constructions sociales, rapports de force / Japan and sound: modernity, social constructs and power relations"
-
Multivocality and the vocaloid fan canon
Colloque "Le Japon sonore : modernité, constructions sociales, rapports de force / Japan and sound: modernity, social constructs and power relations"
-
The music of words of Japan: The relationship between human language and music
Colloque "Le Japon sonore : modernité, constructions sociales, rapports de force / Japan and sound: modernity, social constructs and power relations"
-
"Did anyone hear what I said?": Acting through sound in Higuchi Ichiyō’s writing
Colloque "Le Japon sonore : modernité, constructions sociales, rapports de force / Japan and sound: modernity, social constructs and power relations"
-
Gyaru and hip-hop: Shaping a sound-based identity
Colloque "Le Japon sonore : modernité, constructions sociales, rapports de force / Japan and sound: modernity, social constructs and power relations"
-
La musique électronique à Tokyo : une scène (définitivement) analogique ?
PoirouxJérémieColloque "Le Japon sonore : modernité, constructions sociales, rapports de force / Japan and sound: modernity, social constructs and power relations"
-
Save the noise: Supportive acts and works in Japanese noise music in the COVID-19 pandemic
Colloque "Le Japon sonore : modernité, constructions sociales, rapports de force / Japan and sound: modernity, social constructs and power relations"
-
Le tournant de Hosono Haruomi vers la musique ambient dans les années 1980-1990 : concept de « kank…
Colloque "Le Japon sonore : modernité, constructions sociales, rapports de force / Japan and sound: modernity, social constructs and power relations"