Conférence
Notice
Lieu de réalisation
Maison des Sciences de l'Homme, Bordeaux
Crédits
Marjorie Bertin (Intervention), Yassaman Khajehi (Intervention), Daniela Potenza (Intervention), Pauline Donizeau (Intervention)
Conditions d'utilisation
Droit commun de la propriété intellectuelle
DOI : 10.60527/ata0-6721
Citer cette ressource :
Marjorie Bertin, Yassaman Khajehi, Daniela Potenza, Pauline Donizeau. Bordeaux Montaigne. (2024, 9 avril). Presentation du livre « Greek Tragedy and the Middle East. Chasing the Myth » sous la direction de Pauline Donizeau, Yassaman Khajehi, Daniela Potenza (Anthology Editor). [Vidéo]. Canal-U. https://doi.org/10.60527/ata0-6721. (Consultée le 14 janvier 2025)

Presentation du livre « Greek Tragedy and the Middle East. Chasing the Myth » sous la direction de Pauline Donizeau, Yassaman Khajehi, Daniela Potenza (Anthology Editor)

Réalisation : 9 avril 2024 - Mise en ligne : 28 mai 2024
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Descriptif

Employing the idea of interculturality to study Middle Eastern adaptations of Greek tragedy from the turn of 20th century until the present day, this book first explores the earlier phase of the development of Greek classical reception in Middle Eastern theatre. It then moves to focus on modern Arabic, Persian and Turkish adaptations of Greek tragedy both in the early post-colonial and contemporary periods in the MENA and in Europe. Case by case, this book examines how the classical sources are reworked and adapted, as well as how they engage with interculturality, hybridisation and the circulation of aesthetics and models. At the same time, it explores the implications and consequences of expressing socio-political concerns through classical Greek sources.

While Muslim thinkers and translators introduced Greek philosophy – in particular Aristotle’s Poetics – to the West in the Middle Ages, adaptations of Greek tragedies only appeared in the MENA region at the very beginning of the 20th century. For this reason, the development of Greek tragedy in the Middle East is difficult to disentangle from colonialism and cultural imperialism. Encompassing language differences and offering for the first time a broad approach on the Middle-Eastern reception of Greek tragedy, this book produces a renewed focus on a fascinating aspect of the classical tradition.

 

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