Histoire impériale, histoire coloniale
Les catégories d’histoire coloniale et d’histoire impériale sont devenues des outils analytiques fondamentaux dans la production historiographique, même si les malentendus intellectuels qu’elles ont
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Les catégories d’histoire coloniale et d’histoire impériale sont devenues des outils analytiques fondamentaux dans la production historiographique, même si les malentendus intellectuels qu’elles ont
Depuis deux décennies, l’expérience politique et sociale de ce qu’on appelle la « mondialisation » et une évolution historiographique sensible à la diversité des formes impériales de gouvernement
The Covered Wagon (1923) has long been regarded as a landmark in the development of both the western genre and the historical film. Paramount’s epic, along with the cycle of large-form westerns
Loosely based on James Warner Bellah’s stories published on Saturday Evening Post, Fort Apache (1948), She Wore a Yellow Ribbon (1949), and Rio Grande (1950) are pervaded with a jingoism totally
When Nobody, the native American character in Dead Man (Jim Jarmusch, 1995), recounts his travels as “an exhibit” in Europe, he explains that, to avoid attracting the attention he started to imitate
Until Jauja (2014), Argentine director Lisandro had filmed only contemporary stories of isolated men in a long-take, observational style with non-professional actors, said to centre on ‘men who
The Austrian film The Dark Valley (dir. Andreas Prochaska, 2014) provides a unique attestation to the applicability of the convention of the Western for problematizing context-specific social and
Roundtable on Contemporary Western Film Studies Chair: Hervé Mayer, Université Paul Valéry Montpellier 3 With, from left to right, Matthew Carter (Manchester Metropolitan University), Andrew Patrick
Chinese filmmaker Chloé Zhao has established herself as a foremost chronicler of the experience of Native American youth. Her Westerns—"Songs My Brother Taught Me" (2015) and "The Rider" (2017)
Claude Bernard-Aubert est un ancien combattant d'Indochine
Filmed in 1962, Lawrence of Arabia offers a critical look on British imperialism. Yet this British and American co-production draws on the Empire films of the 1930’s: it focuses on one of the
The concept of transnational post-Westerns stems from Neil Campbell’s definition of post-Westerns as films “coming after and going beyond the traditional Western [genre] while engaging with and
Conférence de Chantal Verdeil, « Les facultés de médecine de Beyrouth à la fin de la période ottomane, entre modernisation et impérialismes », mardi 2 mars 2021.