Transnationalisme

Vidéos

Les enclaves transnationales du tourisme en Inde / Laurent Pordié
Conférence
00:48:35

Les enclaves transnationales du tourisme en Inde / Laurent Pordié

Pordié
Laurent

« Les enclaves transnationales du tourisme en Inde », Laurent Pordié (Institut français de Pondichéry, Inde, Université de Heidelberg, Allemagne). Colloque international "Santé et mobilités au Nord et

Colloque "Santé et mobilités au Nord et au Sud" : discours de bienvenue / Aline Sarradon-Eck
Conférence
00:05:48

Colloque "Santé et mobilités au Nord et au Sud" : discours de bienvenue / Aline Sarradon-Eck

Eck-Sarradon
Aline

Colloque international "Santé et mobilités au Nord et au Sud" : discours de bienvenue / Aline SARRADON-ECK (Présidente de l'Association AMADES). Colloque international organisé par l'Université de

Mobilités des pratiques magico-thérapeuthiques à Ste-Lucie : discours des guérisseurs / Marie Meudec
Conférence
00:20:54

Mobilités des pratiques magico-thérapeuthiques à Ste-Lucie : discours des guérisseurs / Marie Meudec

Meudec
Marie

«Mobilités des savoirs et des pratiques magico-thérapeutiques à Ste-Lucie, Stratégies et discours de légitimation des guérisseurs». Marie MEUDEC, Doctorante en anthropologie, Université Laval, Québec.

Patrick Adamson (University of St Andrews), "Transnationalism and the Transcontinental Railroad: Exporting the Silent Epic Western”
Conférence
00:20:55

Patrick Adamson (University of St Andrews), "Transnationalism and the Transcontinental Railroad: Ex…

The Covered Wagon (1923) has long been regarded as a landmark in the development of both the western genre and the historical film. Paramount’s epic, along with the cycle of large-form westerns

Costanza Salvi (Bologna University), “John Ford’s Cavalry Trilogy: American Imperialism or Irish Republicanism?”
Conférence
00:24:18

Costanza Salvi (Bologna University), “John Ford’s Cavalry Trilogy: American Imperialism or Irish Re…

Loosely based on James Warner Bellah’s stories published on Saturday Evening Post, Fort Apache (1948), She Wore a Yellow Ribbon (1949), and Rio Grande (1950) are pervaded with a jingoism totally

Céline Murillo (Université Sorbonne Paris Cité), “The Mimic Indians in Westerns : a Transnational Concept”
Conférence
00:25:07

Céline Murillo (Université Sorbonne Paris Cité), “The Mimic Indians in Westerns : a Transnational C…

When Nobody, the native American character in Dead Man (Jim Jarmusch, 1995), recounts his travels as “an exhibit” in Europe, he explains that, to avoid attracting the attention he started to imitate

Jenny Barrett (Edge Hill University), “(Not) John Wayne & (Not) the American West in Jauja (2014): Lisandro Alonso’s Slow Western"
Conférence
00:24:31

Jenny Barrett (Edge Hill University), “(Not) John Wayne and (Not) the American West in Jauja (2014)…

Until Jauja (2014), Argentine director Lisandro had filmed only contemporary stories of isolated men in a long-take, observational style with non-professional actors, said to centre on ‘men who

Marek Paryz (University of Warsaw), “Unwanted Salvation: The Use of the Savior Formula in Andreas Prochaska’s The Dark Valley (2014)”
Conférence
00:20:59

Marek Paryz (University of Warsaw), “Unwanted Salvation: The Use of the Savior Formula in Andreas P…

The Austrian film The Dark Valley (dir. Andreas Prochaska, 2014) provides a unique attestation to the applicability of the convention of the Western for problematizing context-specific social and

Fareed Ben-Youssef (NYU Shanghai), “'Just Make Me Look Good’: The Duel Against Mythic Representation in the Transnational Western Films of Chloé Zhao”
Conférence
00:25:39

Fareed Ben-Youssef (NYU Shanghai), “'Just Make Me Look Good’: The Duel Against Mythic Representatio…

Chinese filmmaker Chloé Zhao has established herself as a foremost chronicler of the experience of Native American youth. Her Westerns—"Songs My Brother Taught Me" (2015) and "The Rider" (2017)

Hadrien Fontanaud (Université Paul-Valéry Montpellier 3), •	“Lawrence of Arabia (Lean, 1962): Reframing Imperialism and the Poetics of the Desert”
Conférence
00:24:54

Hadrien Fontanaud (Université Paul-Valéry Montpellier 3), • “Lawrence of Arabia (Lean, 1962): Refra…

Filmed in 1962, Lawrence of Arabia offers a critical look on British imperialism. Yet this British and American co-production draws on the Empire films of the 1930’s: it focuses on one of the

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