A diachronic approach to Ian McEwan’s fiction: from sensationalism to ethical writing (2018 - ERIBIA)
Conférence
Atonement Atwain — Transmedial Translations of Novelistic Discourse and Metafictional Devices
This paper employs Mikhail Bakhtin’s notion of polyphonic novelistic discourse and Werner Wolf’s intermedial conceptualization of metareference in an analysis of the translation of metafictional and
"Atonement" by Joe Wright: (re)writing and adaptation
This paper proposes an analysis of Joe Wright’s 2007 film adaptation of Ian McEwan’s novel Atonement. In particular it will look at how one of the novel’s major theme of storytelling and what Alistair
Making Us See the Ghosts: McEwan's Expressive Visual Style Atonement and the Tradition of the New
In this paper, we offer to examine the ghosts that pervade McEwan's Atonement, both as motifs of an age-old literary tradition that have survived throughout centuries and as symptoms of a modern
I put it all there as a matter of historical record': Literary Testimony in "Atonement" by Ian McEw…
In Atonement (2001), McEwan works on the interplay of memory and imagination, historiography and fiction. The novel is haunted by a traumatic past, at both individual and collective levels, and
Manifesting Authorship from Trauma in Ian McEwan’s "Atonement" (2001) and "Sweet Tooth" (2012)
This article will analyse how McEwan’s exploration of trauma rests on its resolution and on the coping mechanisms employed by these two characters. It will also discuss how 'authorship' transcends