Thompson, Paul (1981-)
Paul Thompson is a professional recording engineer who has worked in the music industry for over 15 years. He is currently a Reader at Leeds Beckett University in Leeds School of the Arts and his research is centred on record production, audio education, popular music learning practices, creativity and cultural production in popular music. His book Creativity in the Recording Studio: Alternative Takes was published in early 2019 by Palgrave MacMillan.
Vidéos
Roundtable discussion about Critical Listening and Technical Ear Training
Dr. Paul Thompson (Leeds-Beckett University, UK) and James Clemens-Seely (Banff Centre, Alberta) explore differing viewpoints on the benefits and limitations of using ‘Technical Ear Training’ (TET)
Panel discussion
In this panel, we highlight how the templates within DAWs shape the digital practices of West African studio professionals who have had limited exposure to the culture of analog recording and
Individual talks by Amandine Pras, Paul Thompson, Maël Peneau, Leonard Menon, and James Clemens-See…
Amandine Pras introduces AFRINUM and the West African Audio Network partnerships. Paul Thompson characterizes three broad forms of learning methods in audio engineering and music production, namely