Stage reading with actors Lorry Hardel and Olivia Mabounga of extract from Aleshea Harris's play Is God Is

Présentation de l'ouvrage "Black Metropolis. Une ville dans la ville. Chicago 1914-1945", avec Anne Raulin, Danièle Joly et présenté par Rokhaya Diallo

Stage reading with actor Olivia Mabounga of extract from Selina Thompson's play Salt.

Kirsty Roberts (University of Central Lancashire) - "How prominent and permanent Black history exhibits in museums and galleries could positively affect public engagement with missing histories in

“Race, art and transnational public space through the lens of the Faith Ringgold Retrospective (Musée Picasso, Paris, 2023)”

Lela Harris (Artist) - “Facing the Past: Black Lancastrians”

"Critical Race Theory and the Interest Divergence Dilemma" - Victor Ray (University of Iowa)

“Shifting Perspectives: How Black Lives Matter Altered Views on the Israeli-Palestinian Conflict” - Talal Hochard (Université de Lorraine, IDEA)

“Focus versus Denial: A pragma-linguistic analysis of the Black Lives Matter and All Lives Matter slogans”

“Jake Blount and The Folk of Black Souls – Curating, Correcting and “GenreQueering” the US Folk Music Canon in the Black Lives Matter Era”

Alan Rice (IBAR at UCLan, Preston) - "Guerrilla Memorialisation and the Slave Site Tour in Lancaster: Towards a Radical Praxis"

"Black Lives Matter and African American political mobilization: the quest for legitimacy in the outdoors and the outdoor industry"

Keeanga-Yamahtta Taylor (Princeton University): “Understanding the Backlash to Black Lives Matter”