Stage reading with actors Lorry Hardel and Olivia Mabounga of extract from Aleshea Harris's play Is God Is

Stage reading with actor Olivia Mabounga of extract from Selina Thompson's play Salt.

Avriel Epps (Harvard University) - “Do #BlackLivesMatter to YouTube?: Auditing YouTube Search Results for Black Lives Matter Content After George Floyd’s Murder”

Questions and Answers with Patrisse Cullors, artist, and BLM co-founder (Part III)

“Focus versus Denial: A pragma-linguistic analysis of the Black Lives Matter and All Lives Matter slogans”

Black Lives Matter: Political and artistic mobilization against systemic racism in the US and the UK Conference (opening remarks)

Alan Rice (IBAR at UCLan, Preston) - "Guerrilla Memorialisation and the Slave Site Tour in Lancaster: Towards a Radical Praxis"

Kirsty Roberts (University of Central Lancashire) - "How prominent and permanent Black history exhibits in museums and galleries could positively affect public engagement with missing histories in

“Race, art and transnational public space through the lens of the Faith Ringgold Retrospective (Musée Picasso, Paris, 2023)”

"Critical Race Theory and the Interest Divergence Dilemma" - Victor Ray (University of Iowa)

“Shifting Perspectives: How Black Lives Matter Altered Views on the Israeli-Palestinian Conflict” - Talal Hochard (Université de Lorraine, IDEA)

Questions and Answers with Patrisse Cullors, artist, and BLM co-founder (Part II)

“Jake Blount and The Folk of Black Souls – Curating, Correcting & “GenreQueering” the US Folk Music Canon in the Black Lives Matter Era”