AFRINUM

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Harmony workshop with Ken Lagaré
Issa Traoré alias Ken Lagaré taught pentatonic harmonies and basic popular music arrangements to Digital Audio Arts students at the University of Lethbridge. He demonstrated how to create a reggae and
Séminaire AFRINUM 16/04/2021 - Diffusion de la musique en régime numérique
Séance consacrée à la diffusion de la musique en régime numérique, avec les interventions de : • Julien Dayan, Label Manager, Syllart Records : Syllart Records, une entreprise de production et de
Percussion workshop with Ken Lagaré
Issa Traoré alias Ken Lagaré taught Malian rhythms on the jembe and dundun to students and faculty of the Department of Music at the University of Lethbridge.
Timing, tuning and translating the DAW in Turkey by Eliot Bates
Eliot Bates presents research outcomes from his work as an audio engineer and as an ethnomusocologist in Istanbul studios. Further information about this work can be found in his book titled, Digital
One Love Burkina by Éliézer Oubda
Éliézer Oubda presents the video making off of Bob Markey's One Love cover that he produced in his Hope Muziks Studio in Ouagadougou with local musicians, and singers and rappers from different
Roundtable discussion about De-colonizing the Digital Audio Workstation
Dr. Eliot Bates (Graduate Centre, City University of New York), and Éliézer Oubda (Hope Muziks Studio, Burkina Faso) share their experiences working and teaching within and around the confines of the
Critical Listening Tools and Tactics for Sound Specialists by James Clemens-Seely
James Clemens-Seely presents a practical introduction to the merits and pitfalls of technical ear training as an approach to increasing critical listening and analytic skills in developing audio
Roundtable discussion about Critical Listening and Technical Ear Training
Dr. Paul Thompson (Leeds-Beckett University, UK) and James Clemens-Seely (Banff Centre, Alberta) explore differing viewpoints on the benefits and limitations of using ‘Technical Ear Training’ (TET)
Individual talks by Amandine Pras, Paul Thompson, Maël Peneau, Leonard Menon, and James Clemens-See…
Amandine Pras introduces AFRINUM and the West African Audio Network partnerships. Paul Thompson characterizes three broad forms of learning methods in audio engineering and music production, namely
Panel discussion
In this panel, we highlight how the templates within DAWs shape the digital practices of West African studio professionals who have had limited exposure to the culture of analog recording and
Strength in Diversity: Learning-through-doing in the Audio Recording Engineer at the Banff Centre
The Audio Recording Engineer Practicum of the Banff Centre mentored by James ClemensSeely hosts up to nine international participants to refine their technical and artistic skills in residencies from
Creative processes of Malian beatmakers, audio engineers and music producers
University of Lethbridge students Toby Bol, Kierian Turner, and Leonard Menon play short video montages that they edited from the video data that was collected by Amandine Pras and Emmanuelle Olivier
Intervenants et intervenantes
Chargé de cours en ethnomusicologie à l'Université de Birmingham
Professeur associé d'éducation musicale à l'université de Calgary (2020)
Enseignant au département de musique de l'université Mc Gill (2020)
Étudiant en art numérique et audio à l'Université de Lethbridge (2020)
Ethnomusicologue, Chargée de recherche au CNRS (Laboratoire Genèse et Transformations des Mondes Sociaux)
Doctorant à l'EHESS. Mène des recherche autour du Hip-hop à Dakar (2020)
Ingénieure sonore et arts audionumériques. Professeure dans le département de musique de l’université de Lethbridge, Alberta, Canada
Ingénieur du son et enseignant à Leeds Beckett University
Musicien et producteur de musique (2020)
Étudiant en musicologie à l'université de Lethbridge (2020)